Monday, May 3, 2010

Let's talk "bad"



I started reading a book by a Australian movie journalist, Michael Adams, called Showgirls, Teen Wolves and Astro Zombies: A Film Critic's Year-long Quest to Find the Worst Movie Ever Made. It’s an interesting topic to tackle – because “bad” means different things to different people.

I know personally, I probably like a bunch of movies that others would consider “bad”. Filmmakers Jesus Franco, Neil Marshall, Normal J. Warren and many others I will giddily rent or watch films of – might be on the “do not disturb” list for others.

I’m not going to give you a book review or anything - as I'm just a handful of pages in – I’m just going to give you interesting updates as I read and find something interesting.

My first major observation is how one of my favorite television personalities Kevin Murphy of Mystery Science Theater 3000 fame gave advice to the author in the early goings of his quest. He tells him that films like Robot Monster (notorious for the monster being a man in a gorilla suit with a fishbowl on its head) – pales in comparison to films like Forrest Gump on his own personal badness scale.

Robot Monster has zero budget – and zero talent – so it had no chance.

Forrest Gump had a massive budget and tons of talent – and it’s a paint by numbers – “we are telling you to feel this here – and this here – and this here” instead of a film that had any nuance or message.

I don’t mind Forrest Gump – I thought the usage of technology was interesting (for the time) – but in the overall scale of things – yes I felt it was a American History for Dummies course – paint by numbers feeling clown hammer film. When I watch the film – I don’t mind the manipulation of it – though I don’t put it on my favorite film list anywhere – it’s your standard popcorn fair.

Murphy lists as the worst films much more modern ego-driven drivel such as Warren Beatty’s Town & Country and dares Adams to sit through Gena Davis’ Cutthroat Island. Which is interesting considering Murphy is famous for ripping older sci-fi films/horror/b-movies to pieces on MST3K. (Of course you should be aware that MST3K had to fight for the rights of the films they gave the “treatment” – so their selection was mostly public domain films – so it may be more about the budget than the films “badness”)

I find myself in agreement when it comes to Murphy and “badness” of films – the more ego and money pressed up against the screen – the more apt that if it’s bad – it’s infamously bad. That’s why I’m more apt to tell someone about my hatred for Academy Award winner Crash – than Monster A Go-Go or the Wild World of Batwoman.

Also, as an interesting side note – the first movie Adams pulls from his bingo ball machine to watch is Showgirls – which I don’t find as notoriously bad as others – the message gets a little lost but otherwise an interesting film. Even Adams claims to have an affinity for the film saying it was his 6th time watching the film – and he goes on to detail parts of a trek to Vegas he made to see the sights featured in the film. That makes two Aussies that I “know” who have an affinity for the film – interesting.

Well, I enjoyed talking to you about "bad movies" and as I read this book - or I have any new thoughts on movie badness - I will be happy to pass the word along. Sadly, as I continue reading this book - I realize it sounds more and more like a talk about the author's journey and him flexing his "I know a lot about movies" muscles than actual talk about the content and quality of the films. I'll stick with it - but as for now - no assigned reading my fellow fitness friends.

5 comments:

  1. I've always felt that the very worst movies were not to be found among ultra low budget movies, which surprisingly often manage to be entertaining in spite of costing almost nothing.

    But then I liked Cutthroat Island, so maybe my taste is a little dubious!

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  2. Really, Cutthroat Island? One day I'll have to sit down and have a little film festival of films I wouldn't expect you to like - but you do (re: Cherry 2000).

    Necessity is the mother of invention when it comes to ultra low budget films - and you've got to appreciate the creativity and ingenuity of them.

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  3. I don't know if you've run across them yet, but Michael J. Nelson, along with Bill Corbett and Kevin Murphy, does RiffTrax now. Same idea as behind MST3K, only they sell the audio track of their ribbings. So that you can buy one, listen to it while you watch your copy of the movie, and thus enabling them to rip on more contemporary films without having to worry about copyrights.

    It's still weird hearing Tom Servo's voice without seeing him though...

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  4. Yes, I've only rented the Rifftrax shorts and watched the previews for their films - I hadn't tried to purchase and play a full length riffing yet - but I've been meaning to with the new Indiana Jones - if any movie deserved a good riffing... (Not counting the Transformers films - but I won't watch them)

    I've actually been collecting the DVD's for Cinematic Titanic - which is the riffing group Joel Hodgson formed with the rest of the MST alum (Coniff, Pehl, Bealiou, Weinstein) - they stick closer to the roots of MST and riff low budget films - which is fun... I also just heard of the Showtime show called Dave's Old Porn - which I guess is the MST version of retro-porn - which sound hilarious!

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  5. I'll have to check those out. I've seen a couple of the Rifftrax, they did one on Plan 9 broadcast in theaters. Though Plan 9 seemed like cheating, as anyone who watches bad movies has seen it backwards and forwards.

    Murphy wrote an amusing book about going to the movies everyday for a year. Well worth the read.

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