Double Feature Friday: [REC] (2007) / [REC 2] (2009)

A news segment about a reporter following a local Barcelona group of firefighters on their nightly routine suddenly becomes documentation of some kind of outbreak of some contagious disease that causes people to become rabid killers.

[REC] is one of my top 5 favorite horror movies of the past decade. It’s essentially a zombie movie – but it’s far more thrilling than the DAWN OF THE DEAD remake because it’s told from a first person point of view. It blends what feels like news footage from a war zone into what’s simply a claustrophobic zombie experience.

Throw in the intrigue of how quickly the building is quarantined and the intrigue into what mysteries are being hidden and where – the film works on a variety of levels for both thrills and on-the-fly narrative. The direction of the film must have been tricky – as you would have to have your cinematographer running around as a character – and monitoring the adlibbed both camera movements and dialogue – it’s an easy recipe to fail at for someone who didn’t have a big pair of brass balls. The lead actress is likable and convincing as both a fluff news reporter – and as a terrified as she becomes as the situation unfolds.

[REC] was remade almost shot for shot in the US and released as the film QUARANTINE – I beg you to SKIP that version and go straight to the source.

Nearly an hour since the events in [REC] a swat team is sent into the quarantined building along with a priest to find out what’s going on.

What [REC] succeeds at – [REC 2] tries to tweak only mildly. Each swat team characters has a helmet camera to monitor what they see – so there are multiple cameras at work as opposed to the single camera in [REC]. Then it takes what the audience perceives as the rabid zombie virus and turns it on its ear – which is hinted at toward the end of [REC] – but even if there was never a sequel – one could be happy with the direction of the first film without this film as an addendum.

[REC 2] does more story telling than the first film – it leads the audience down a certain path instead of spinning them around in an office chair and dropping them into a mess. So, in a way they are two completely different films – but the same concepts were being used as story telling elements. I do admit that the freshness of the first film doesn’t come off as well into the second – but I think that has more to do with the storytelling in the second – which is understandable – you have to change the formula a bit for a sequel to this kind of film.

I love how it turned the zombie element on its ear – I’m honestly getting a little bored of zombies – not as much as I’m sick of vampires – but there’s too much zombie stuff going around these days. There are some good twists – and some head scratchers in this film – but after a step back from watching them both – they make far more sense than most American horror movies.

Though I have not seen QUARANTINE 2 – from the previews it appears that it abandon’s all that the premise that makes [REC 2] special – which actually makes me curious to see Q2 a bit.

Two additional [REC] films are being planned – reading that just now gives me a little chill up my spine – I can’t wait.

Insidious [2011]

A family moves into a new house – and suddenly their son is in a coma and the wife sees a bunch of creepy people all around who menace her newborn and attack her – but when she calls for hubby’s help – they’re gone! So, they move – and it keeps happening!! What’s going on here?

After a certain amount of dropping piano sounds and screams – I became apathetic to the whole movie. It wasn’t a bad movie – it just relied too much on those aspects to get scares – when I thought it was doing a fine job building suspense on its own – it didn’t need to result to cheap tactics.

The movie reminded me a lot of the atmosphere that the PARANORMAL ACTIVITY movies were trying to build (and it’s from the makers of – so it makes sense) – with the calm eeriness – then something happens that grips your throat and you’re instantly freaked out. Instead of allowing that air it self out though they threw in a loud bang sound effect – which I honestly couldn’t tell if they wanted you to believe that it was coming from inside the house or from the soundtrack.

I also felt the filmmakers almost intended to make a simple haunted house movie by the way they introduced the books falling off the shelf while everyone was in the kitchen eating breakfast in the beginning. If you’ve seen the movie and know the “twists” – then you’ll know how this scene doesn’t make any sense – unless it’s JUST the house. I guess they will leave those answers to the eventual sequel.

The ending was a shame – there’s a lot of horror movies that end the exact same way – and I would’ve just liked to see the opposite because I felt that would’ve made for a BETTER twist.

Again, it wasn’t a bad film – there were some redeeming qualities – such as the reliance of the idea of what is left unseen. I’m not sure if it was intended as part of the freaky nature – but the relation of where things/people were in relation to each other was left me confused and it brought me into the story a bit because it wasn’t set in a way that I could immediately identify. I tend to think it was a bit of bad filmmaking but it worked for me.

From the advertisements I saw – it was pimped as being from the ‘makers of PARANORMAL ACTIVITY’ – even if it was directed by the creator of the SAW franchise. So, when the SAW puppet made a blatant cameo I felt that was a dick length scene – the “I’ve spawned more sequels and I was on the scene before you PARANORMAL ACTIVITY guy” – because I CAN’T see the point of having that puppet drawn on the chalk board in hubby’s classroom. No point – other than Ego of the director. It’s fine if you want to work the puppet in – but making that blatant? There’s a lot of moving boxes – couldn’t the puppet be somewhere in the background half hidden by boxes? No... Let’s essentially turn a scene where we’re supposed to concentrate on the lead character having a phone conversation – and put a drawing of the puppet over his shoulder the entire time!

The film isn’t bad – but it’s just above average for me – you’ll get for the most part what you expect from it.