Showing posts with label Paul Giamatti. Show all posts
Showing posts with label Paul Giamatti. Show all posts

Friday, January 6, 2012

Top 6 Favorite Films of 2011





Screw what that other guy said yesterday – I’m going to put up my TOP 6 favorite films of the year because I feel like it! Why should it be just 5? I can stretch it out to be 10 if I wanted to add in a few other titles – but I want to just put down my absolute favorites of the year – not just the movies I liked. I liked X-Men: First Class, I liked The Ides of March, I liked The Muppets, I liked Super 8 – if you feel the need to make it a full round 10 – but below are the movies that I give a solid 5 outta 5 – not an iffy 5 outta 5 – or a hesitant 5 outta 5 – or a drunk 5 outta 5 – below are my only real 5 outta 5 films of 2011.


#6. Super – what I really liked about Super was that it didn’t let down at what it was advertised as – it was a dark comedy involving topics and situations that you wondered if you should laugh at – disturbing and graphic – tragic and funny – the heart ultimately is to save himself he must save the girl – there’s something wonderful about that to me

#5. Rise of the Planet of the Apes – great performances – solid effects – and a truly believable story of the scientist who sets in motion the end of the world at the hands of the apes – Andy Serkis was outstanding as Caesar blending in a mind boggling way the differences between what is ape and what is human in the performance
#4. Win-Win – Thomas McCarthy’s knack for turning what could be a depressing topic and finding the human spirit that lifting out the optimism without forcing it – this time with a displaced kid who’s looking for the home he never had and the coach/lawyer who was looking for inner strength but not knowing where to find it


#3. Source Code – what stuck with me about Source Code ever since I made it the first film I saw in the theater this year – was the optimism – science fiction tends to lean toward the loss of humanity and the hopeless struggle of it all – but with Source Code the idea of the hopeless struggle and pulling victory out of the jaws of defeat was so wonderfully conceived and executed
#2. 50/50 – a pleasant surprise – figuring I was in for a raunchy stoner comedy (thanks to Seth Rogen) but turned out to be a true comedy with some heart – laughing at the face of tragedy – no cheese – just great performances – the strength of the script – the fact that it never discounted the situation but never used it to drag the viewer down – it wasn’t just a “cancer comedy” – it was more of a true to life cancer story #1. Drive – intense, atmospheric, mesmerizing action, pitch perfect acting – Drive kept my excitement up well after I saw it – thinking about scenes – thinking about the execution – thinking about so many aspects – it’s the mark of a great film the resonance of it well after watching it – still feeling that atmosphere lost in questions and memories of it

Friday, October 14, 2011

The Ides of March [2011]




In a tight race for the Democratic nomination for President of the United States – a young political consultant learns what politics are all about.

This is an actor’s piece – filled with lots of talking and facial expressions for all the wonderful actors to display how well they can flex. Ryan Gosling, Marisa Tomei, Paul Giamatti, Phillip Seymor Hoffman all jump in with George Clooney (who acts & directs) and make faces at each other and say stuff that makes you think they are saying important stuff – so you better pay attention.

Sorry.

I liked the movie – but you know when you want to see a movie – and you go to the theater and your phone told you the wrong time? So, you pick something else that you kind of want to see – when you have yourself hyped up for something else? Well, I went to see Moneyball and get lunch at the local brew & view – my phone said it started at 1PM – but it really started at 2PM – and I had already killed time waiting until 1PM – and I was really hungry for a burger and some waffle fries. So, I watched The Ides of March – and I could tell you everything you want to know about it – but I just can’t review it.

It’s about loyalty – and dirty politics – and how shitty life is. It’s good – really good – compelling – it felt like a 2 hour movie but it wasn’t – usually a mark that lots is happening and you are engrossed – and I was certainly grossed in. Great pacing. Good directing. Great performances. You should watch it if you like political thrillers and/or the actors involved.

It made me feel icky. It made me feel like I needed a shower. It did its job. Really good – seriously I’m not making fun of it – I’m just having a rough go of it lately – so let me have this one.








Thanks, I'll try better tomorrow - I promise... But since it's the weekend - I might not try at all... I am sorry to all you readers...

Wednesday, September 28, 2011

Win Win [2011]




I love how Thomas McCarthy captures what on the surface seems to be a bleak experience and makes it into heartwarming hopeful film. A down on his luck lawyer decides to take advantage (ever so gently) of one of his elderly clients in order to make ends meet – and when his client’s teenage grandson comes into the picture – he brings him under his wing. Just like with THE STATION AGENT and THE VISITOR he takes his lead character’s want for one thing and flips it on its ear in order to show that they actually need something completely different. I really love how the high school wrestling element of the story is just a glue for binding the characters together stronger – much like trains in THE STATION AGENT and music in THE VISITOR. Great performances by the entire cast and great story – make WIN WIN a wonderful movie.