Showing posts with label Michael Rooker. Show all posts
Showing posts with label Michael Rooker. Show all posts

Wednesday, August 17, 2011

Super [2011]

Frank’s wife leaves him – eliminating one of the two perfect moments in his life. The other perfect moment? Well, that was helping a cop stop a bad guy. Since, the person his wife left him for is an actual bad guy – Frank knows what he has to do... He becomes the Crimson Avenger and starts fighting crime!

This movie was so much better than I expected it to be. Grounded in some real emotional issues – and mourning for the loss of his wife – Frank as a character was wonderfully well written. As portrayed by Rainn Wilson – and already having a familiarity of him as Dwight on the US version of The Office – Frank is only a short leap from Dwight. Less arrogant – but with that equal and unwavering allegiance to what he believes is right and wrong. He carries the depressing parts without taking us too far down with him and has a way with the humor of the story that allows it to be present but not distracting from the story.

The other characters were strictly secondary – I’m trying to pin point scenes that Frank wasn’t in – and there’s not many. It’s the story of Frank – and though they got top notch actors to fill in the remaining roles – Rainn really carried the film.

Ellen Page as the comic book nerd girl, Libby – was portrayed with a ton of enthusiasm – a great performance by Ellen one of her best. Kevin Bacon as the bad guy – was fun, grimy and menacing. Liv Tyler always seems half asleep to me – and continued her tradition – but I didn’t care. The cast was rounded out with James Gunn’s buddies Nathan Fillion and Michael Rooker from SLITHER – they both pulled a little scene stealing in their roles – which was fun.

James Gunn as a director is pretty good – I get the feeling that he gets story structure enough that you could give him what’s essentially an effects film and we can get a pretty grounded story out of it. SUPER was done on a low budget – so the effect shots were mostly done on screen – the good old fashioned way with pyrotechnics and exploding mannequins and models. Yes, there’s some CGI – but according to the ‘making of’ – those were added to sculpted models to base everything in reality – and it works great.


It’s too easy to compare this film to KICK-ASS – but that’s not really fair. KICK-ASS even though it’s the same concept (why hasn’t anyone slapped on a costume and started fighting crime) – is NOT based in reality. It’s a fantasy version of reality – the lead character in KICK-ASS starts out getting beaten up to the point he has major nerve damage – thus his “powers” are to take a beating – not eating out of a straw (like it should be). In SUPER, Frank has no “powers” – just a wrench which he beats people in the head with – that’s probably enough in reality.

I love the leaps this movie takes - all of which I won’t mention – because I recommend this movie – it’s got an ‘all in’ attitude. It’s grounded in reality – with real emotions, real motivations and the reality of these people’s choices. I find it hard to believe that I hadn’t mentioned it until now – but this movie is a comedy – and it’s damn funny! I laughed out loud several times – which is a compliment – as I generally smirk through comedies.

I blind purchased this one on Blu-Ray because it was only $13 brand new on release date – and it’s one of the best blind purchases I’ve made of a movie. The extras were okay – a standard couple of “machining of’s” and a 5-minute featurette of Rainn and Ellen at a film festival dressed as their heroes running around acting silly. For as much as you can pack onto a Blu-Ray – I wanted more – but it doesn’t matter – the movie is what I bought it for. And it was a great movie!

Friday, May 20, 2011

S is for... [part 4]


With laughs and gross-outs aplenty, Slither is the best horror comedy since Shaun of the Dead. Having written for the jubilant trash-mongers at Troma Films before scripting 2004's well-received remake of Dawn of the Dead, writer-director James Gunn crafted this hilarious splatter-fest as an homage to the comically violent horror films of the 1970s and '80s, and he gets it just right with a low-budget look, perfect casting, grisly make-up effects and judicious use of CGI gore. The story's a deliberate monster-mash, borrowing from a dozen other movies with its plot about an invasion of slithery slug-like parasites from outer space, arriving (via meteorite) in the redneck town of Wheelsy, South Carolina, where they turn most of the local yokels into flesh-eating zombies. The first victim (played by Michael Rooker) turns into a squid-like, multi-tentacled host monster (kill him and you kill 'em all), and his terrified wife (Elizabeth Banks) teams up with Wheelsy's sheriff (Nathan Fillion, from Firefly and Serenity) and mayor (comedic scene-stealer Gregg Henry) to eradicate the alien threat before Wheelsy turns into Slugville. Gunn handles comedy and horror with exuberant flair, and Slither's greatest strength is that it never aspires to be anything more than it is: 96 minutes of good laughs and gruesomeness, served up with the kind of gleeful abandon that only true horror buffs can fully appreciate. (synopsis provided by Amazon.com)


released 2006

directed by James Gunn