Showing posts with label Amanda Peet. Show all posts
Showing posts with label Amanda Peet. Show all posts

Tuesday, June 21, 2011

X is for...


The feature film The X-Files: I Want to Believe is a satisfying if unspectacular installment in the X-Files series, taking place an unspecified time after the show's nine-year television run. Former agent Dana Scully (Gillian Anderson) is now a doctor, while Fox Mulder (David Duchovny) is being hunted by his former agency and living in seclusion. He and Scully are summoned back by a case involving a missing agent and a former priest (Billy Connolly) who claims to be able to see clues to the agent's whereabouts psychically, though his initial search turns up only a severed limb. Don't expect the usual cast of characters; the FBI has completely turned over (except for the George W. Bush portrait), and the only reason Scully and Mulder are back is because agent Dakota Whitney (Amanda Peet) remembers his success on similar cases involving the unexplainable. Don't expect the same rogues' gallery either; unlike the previous X-Files feature film, which was inextricably linked to the series' convoluted mythology arc (and served as a bridge between the fifth and sixth seasons), I Want to Believe is a stand-alone piece that makes use of the series' roots in horror/sci-fi and moody Vancouver, B.C., locales. Also unlike the previous film, which was almost self-consciously shot for the big screen, this film is on a smaller scale, like a double-length episode of the series. But it's still a good reminder of the creepy vibe that hooked fans for years. And the relationship between Mulder and Scully? It seems to have resumed pretty much where it left off, at least when you take into account the long period of separation. But stick around for the end-credit sequence to take in all the possibilities for the future. (synopsis provided by Amazon.com)


released 2008

directed by Chris Carter

Monday, January 25, 2010

Weekend Viewing - Jan 22-24




Extract [2009] directed by Mike Judge



Joel is having a sort of a mid-life crisis. His wife doesn’t want to sleep with him – and he’s increasingly frustrated at work and is looking to sell his extract business. His slacker friend, Dean, and him come up with a far fetched plan that will help Joel get laid with a recently hired girl, Cindy. Unbeknownst to Joel, Cindy has her own plans to help a recently injured employee sue Joel for everything he’s got.



Here’s the thing – I liked how Joel has a fairly simple problem – but come up with a very complex solution to solve that problem – yet the whole thing seems a bit forced. The screenplay seemed like a few teenagers imagining what their lives would be like – in a immature male fantasy. Nobody was really well defined as a character - which made their decision making process difficult to follow and even care about. Though the film was humorous it was never really funny – and I would really like to see Mike Judge work on his female characters. 3 out of 5 stars.








Syriana [2005] directed by Stephan Gaghan



I’m sorry – I can’t give you a synopsis to this film – as I still can’t really see what it’s about other than intrigue and corruption in the oil business and in the Middle East. Each character though well portrayed – I didn’t feel connected to – or understood what their goals were – maybe that was the point of the film - I couldn’t really tell you. This is my second viewing of the film – and I still can’t connect the dots – I’m really not trying to be ignorant – I just don’t get it and I’ve got to give it a 2 out of 5.








Y Tu Mama Tambien [2001] directed by Alfonso Cuaron



Two sexually obsessed best friends take a young jilted housewife on a road trip to a beach.



What I really liked about this film is that it kind of plays on a theme that sex isn’t always sexy. The boys are sexually obsessed – but they aren’t very good at sex – they are still young and in need of understanding the world around them and themselves in order to understand sex. When looking forward to seeing this film I read descriptions like “erotic” and “sexy” – but I couldn’t disagree more – sex is used as the tool to show the boys “growing up”.



They grow up quite a bit on the road trip with the help Luisa (the jilted housewife) – who teaches them about their own ideals and how reality is vastly different from what they want to believe. It’s very well acted – and though I wanted to slap around both of the boys – it was only because they were portraying their parts correctly that I wanted to slap them around. It’s a very good film – worth a look – if you aren’t easily offended by full frontal nudity by both sexes. I give it a 4 out of 5.