Showing posts with label Samuel L Jackson. Show all posts
Showing posts with label Samuel L Jackson. Show all posts

Tuesday, March 15, 2011

J is for...





The curiosity of Quentin Tarantino's Jackie Brown is Robert Forster's worldly wise bail bondsman Max Cherry, the most alive character in this adaptation of Elmore Leonard's Rum Punch. The Academy Awards saw it the same way, giving Forster the film's only nomination. The film is more "rum" than "punch" and will certainly disappoint those who are looking for Tarantino's trademark style. This movie is a slow, decaffeinated story of six characters glued to a half million dollars brought illegally into the country. The money belongs to Ordell (Samuel L. Jackson), a gunrunner just bright enough to control his universe and do his own dirty work. His just-paroled friend--a loose term with Ordell--Louis (Robert De Niro) is just taking up space and could be interested in the money. However, his loyalties are in question between his old partner and Ordell's doped-up girl (Bridget Fonda). Certainly Fed Ray Nicolette (Michael Keaton) wants to arrest Ordell with the illegal money. The key is the title character, a late-40s-ish flight attendant (Pam Grier) who can pull her own weight and soon has both sides believing she's working for them. The end result is rarely in doubt, and what is left is two hours of Tarantino's expert dialogue as he moves his characters around town.

Tarantino changed the race of Jackie and Ordell, a move that means little except that it allows Tarantino to heap on black culture and language, something he has a gift and passion for. He said this film is for an older audience although the language and drug use may put them off. The film is not a salute to Grier's blaxploitation films beyond the musical score. Unexpectedly the most fascinating scenes are between Grier and Forster: two neo-stars glowing in the limelight of their first major Hollywood film after decades of work. (synopsis provided by Amazon.com)



directed by Quentin Tarantino



released 1997

Monday, February 8, 2010

Weekend Viewing - Feb 5-7 (part 1)



Black Snake Moan [2007, directed by Craig Brewer]


An old blues man is left by his no good cheating wife – a sex obsessed young girl is left behind as her fiancĂ© reports to the military. When the man discovers the girl beaten and left outside his house – he takes it upon himself to “cure” the girl – thus redeeming himself of his wife leaving.


Black Snake Moan is pretty good – there were some performances that fell flat (namely Justin Timberlake) – but the concept and music was great. The whole film plays out like a blues song – and the rising tension between the characters - as a black man who has a white girl chained to his radiator was palpable and interesting. It’s amazing how much little Christina Ricci has grown up... (I’ll leave it at that since she bares all quite a bit). I give it about a 4 out of 5.




Lemon Tree [2008, directed by Eran Riklis]


A Palestian widow has a lemon orchard on the green line between Israel and the West Bank. When the Israeli Defense Minister moves in next door and it’s determined that the lemon orchard poses a security risk – she has to fight to keep it.


This is a very interesting movie that fails in the area of the relationships between the characters. If the film stayed with it’s sole focus on this lemon orchard and the characters directly involved – it would’ve been a great film. The fact that the film had some interweaving storylines that just didn’t work was disappointing. The acting was great – but the storylines didn’t work for me – and I was confused if I was actually supposed to care about some of them. I give it just above a 3 out of 5 – which I round up to a 4.